THE WORKS ON DISPLAY

“The Fifty-Three Stations of the Tōkaidō”, 1988-2008

1.
Nihonbashi, Morning scene
Glass worked and assembled using different techniques
cm 88×102×55

2.
Shinagawa, Dawn
Glass worked and assembled using different techniques
cm 54,5×78×30

3.
Kawasaki, Rokugo crossing
Glass worked and assembled using different techniques
cm 72×86,5×40

4.
Kanagawa, Hilltop view
Glass worked and assembled using different techniques
cm 37×59×31

5.
Hodogaya, Shinmachi Bridge
Glass worked and assembled using different techniques
cm 41,3×64,5×47,8

6.
Totsuka, Motomachi detour
Glass worked and assembled using different techniques
cm 120×150×25

7.
Fujisawa, Yugyo Temple
Glass worked and assembled using different techniques
cm 72,7×86,5×40,5

8.
Hiratsuka, Nawate road
Glass worked and assembled using different techniques
cm 37×34×27,5

9.
Oiso, Tora’s rainstorm
oil lantern
Glass worked and assembled using different techniques
cm 105,5×37×37

10.
Odawara, Sakawa river
Glass worked and assembled using different techniques
cm 48×56×29,5

11.
Hakone, Lake view
Glass worked and assembled using different techniques
cm 93,5×120×35

12.
Mishima, Morning mists
Glass worked and assembled using different techniques
cm 49,5×31×19,5

13.
Numazu, Twilight scene
Glass worked and assembled using different techniques
cm 43,5×58,2×27,8

14.
Hara, Mt. Fuji, morning view
Glass worked and assembled using different techniques
cm 29,5×41×33

15.
Yoshiwara, Hidari Fuji (Mt. Fuji on the left)
Lantern
Glass worked and assembled using different techniques
cm 94,5×32×32

16.
Kambara, Evening snow
Glass worked and assembled using different techniques
cm 52,5×35×21

17.
Yui, Satta point
Glass worked and assembled using different techniques
cm 94×150×30

18.
Okitsu, Okitsu river
lamp
Glass worked and assembled using different techniques
cm 36,5×38×38

19.
Ejiri, Miho in the distance
Glass worked and assembled using different techniques
cm 71×105×48,4

20.
Fuchu, Abe river
Glass worked and assembled using different techniques
cm 41×38,5×21,5

21
Mariko, Famous teahouse
coffee table
Glass worked and assembled using different techniques
cm 45×120×60

22.
Okabe, Mt. Utsu
Glass worked and assembled using different techniques
cm 40×60×32,3

23.
Fujieda, Depot for porters and horses
Glass worked and assembled using different techniques
cm 120×130×2,5

24.
Shimada, Suruga bank of the Oi river
Glass worked and assembled using different techniques
cm 98,5×130×30

25.
Kanaya, Far shore of the Oi river
Glass worked and assembled using different techniques
cm 70×84×40

26.
Nissaka, Sayo mountain pass
Glass worked and assembled using different techniques
cm 94×122×30

27.
Kakegawa, View of Mt. Akiba
Glass worked and assembled using different techniques
cm 59,8×152,5×2,7

28.
Fukuroi, Humble tearoom
Glass worked and assembled using different techniques
cm 70×113×2,8

29.
Mitsuke, View of the Tenryu river
Glass worked and assembled using different techniques
cm 55,5×35,8×23,3

30.
Hamamatsu, Winter scene
Glass worked and assembled using different techniques
cm 53,5×27×27

31.
Maisaka, View of Imagire
Glass worked and assembled using different techniques
cm 20,7×28,2×28,2

32.
Arai, Ferryboat crossing
Glass worked and assembled using different techniques
cm 38×74×60

33.
Shirasuka, View of Shiomizaka
Glass worked and assembled using different techniques
cm 65×84×42,5

34.
Futagawa, Sarugababa
Glass worked and assembled using different techniques
cm 49,5×37×24

35.
Yoshida, Toyokawa bridge
Glass worked and assembled using different techniques
cm 66×79,6×40

36.
Goyu, Working girls
Glass worked and assembled using different techniques
cm 103,8×120×30

37.
Akasaka, Servants at an inn
Glass worked and assembled using different techniques
cm 113,5×111,2×2,7

38.
Fujikawa, Bohana scene
Glass worked and assembled using different techniques
cm 59×37×30

39.
Okazaki, Yahagi bridge
Glass worked and assembled using different techniques
cm 80×99×30

40.
Chiryu, Horse market in summer
lamp
Glass worked and assembled using different techniques
cm 41×43×43

41.
Narumi, Famous Arimatsu tie-dye
illuminated corner cabinet
Glass worked and assembled using different techniques
cm 69×80,5×29

42.
Miya, Astuta festival
Glass worked and assembled using different techniques
cm 37,5×85,8×42,3

43.
Kuwana, Shichiri watashiguchi point
Glass worked and assembled using different techniques
cm 43×32×20

44.
Yokkaichi, Mie river
Lantern
Glass worked and assembled using different techniques
cm 69,5×29×29

45.
Ishiyakushi, Ishiyakushi Temple
lamp
Glass worked and assembled using different techniques
cm 30×50×50

46.
Shono, Hard rain
Glass worked and assembled using different techniques
cm 100×100×2,7

47.
Kameyama, Clearing after snowfall
Glass worked and assembled using different techniques
cm 40×31×31

48.
Seki, Daimyo departing early from honjin
Glass worked and assembled using different techniques
cm 94×150×30

49.
Sakanoshita, Fudesute peak
lamp
Glass worked and assembled using different techniques
cm 52×24,5×24

50.
Tsuchiyama, Spring rain
Glass worked and assembled using different techniques
cm 147,5×188×2,7

51.
Minakuchi, Famous kampyo
Glass worked and assembled using different techniques
cm 120×121×30

52.
Ishibe, The villane of Megawa
Glass worked and assembled using different techniques
cm 33×150×90

53.
Kusatsu, Famous posting house
Glass worked and assembled using different techniques
cm 94×150×30

54.
Otsu, Hashirii teahouse
Glass worked and assembled using different techniques
cm 142×180×2,7

55.
Keishi, The great Sanjo bridge
Glass worked and assembled using different techniques
cm 106×168×30

The “Rimpa” Style Decoration, 1998-2006

56.
“Kōrin”, 2000
Glass worked and assembled using different techniques. Frame in black Wajima lacquer
cm 142×180×2,7

57.
Snow and red and white plum trees, 2003
Glass worked and assembled using different techniques. Frame in black Wajima lacquer
cm 142×180×2,7

58.
Red and white plum trees, camellias and peonies in Rimpa, 2005
Glass worked and assembled using different techniques. Frame in black Wajima lacquer
cm 142×270×2,7

59.
Snow, moon and flowers of four seasons in Japan in Rimpa, 2006
Glass worked and assembled using different techniques. Frame in black Wajima lacquer
cm 160×540×3

60.
Kōrin’s dance, 2001
Glass worked and assembled using different techniques cm 39×71×15

61.
Kōrin’s plum trees with moon, 2000
Glass worked and assembled using different techniques
cm 94×150×30

62.
Kōrin’s peacock, 2003
Glass worked and assembled using different techniques
cm 155×70×30

63.
“Kōrin”, 1998
lamp
Glass worked and assembled using different techniques
cm 45,1×27×27

64.
“Kōrin”, 2005
lamp
Glass worked and assembled using different techniques
cm 62×22,5×22,5

65.
“Kōrin”, 2005
lamp
Glass worked and assembled using different techniques
cm 40×23×23

66.
Four seasons in Japan, 2005
lamp
Glass worked and assembled using different techniques
cm 108×40×40

67.
“Kōrin”, 2006
lamp
Glass worked and assembled using different techniques
cm 161×32×32

68.
“Kōrin”, 1993
Glass worked and assembled using different techniques
cm 36×29×29

69.
Streak of light dance, 1994
Glass worked and assembled using different techniques
cm 89×36×36

70.
“Kōrin”, 1995
Glass worked and assembled using different techniques
cm 20×50×18

71.
“Kōrin”, 1996
Glass worked and assembled using different techniques
cm 33×47×31,4

72.
“Kōrin”, 1999
Glass worked and assembled using different techniques
cm 43,5×26×26

73.
“Kōrin”, 2005
Glass worked and assembled using different techniques
cm 34,1×30,8×30,8

74.
“Kōrin”, 2005
Glass worked and assembled using different techniques
48×40,5×21,5

75.
“Kōrin”, 2006
Glass worked and assembled using different techniques
cm 42,5×26,2×26,2

76.
“Kōrin”, 2006
Glass worked and assembled using different techniques
cm 31,2×21,5×21,5

77.
“Kōrin”, 2006
Glass worked and assembled using different techniques
cm 33,2×25,5×25,5

78.
“Kōrin”, 2006
Glass worked and assembled using different techniques
cm 88×39×39

79.
“Kōrin”, 1992
Glass worked and assembled using different techniques
cm 10,5×57×57

80.
“Kōrin”, 2006
Glass worked and assembled using different techniques
cm 13,5×56,2×56,2

81.
“Kōrin”, 1996
lamp
Glass worked and assembled using different techniques
cm 185×50×50

82.
Irises in Rimpa, 2001
decorative box
Glass worked and assembled using different techniques
cm 17,5×21,5×16,5

83.
Korin’s red and white plum trees in the snow, 2001
decorative box with platinum leaf inlay
Glass worked and assembled using different techniques
cm 17×21,5×16,5

84.
Japanese bellflowers in Rimpa, 2005
incense box
Glass worked and assembled using different techniques
cm 4,6×6,35×6,35

85.
“Kōrin”, 2005
water jug
Glass worked and assembled using different techniques
cm 16×19×19

86.
“Kōrin”, 2005
tea box
Glass worked and assembled using different techniques
cm 6,8×6,8×6,8

87.
“Kōrin”, 2005
tea cup
Glass worked and assembled using different techniques
cm 8,5×12,8×12,8

88.
“Kōrin”, 2006
incense burner
Glass worked and assembled using different techniques
cm 20,6×12,8×12,8

89. Furisode, Japan, early 19th century
Long-sleeved robe
Silk dyed using the reserve and yuzen techniques and then hand-painted
Venice, Oriental Art Museum

90. Uchikake, Japan, early 19th century
Beltless robe to be worn over a kosode
Crepe, chirimen, reserve and yuzen dyeing techniques, embroidery
Venice, Oriental Art Museum

The transliteration of Japanese names and terms is taken from the English edition of the catalogue
“The Evolution of Rimpa and Hiroshige. The 53 Stations of the Tōkaidō” (Kyuryudo, Tokyo, 2006).